No, that headline doesn’t have a typo. There’s a cause Actually, Nevermind exhibits up in your streaming platform of alternative as a “dance” album. As a result of, nicely, it’s, in truth, simply that. Drake’s seventh studio album comes 9 months after Licensed Lover Boy, a venture knee-deep in controversy, anticipation, and sameness. Fairly than repeat the method, Actually, Nevermind crops its ft firmly in locations that pump home music and membership blends for partygoers or H&M customers.
Nonetheless wallowing within the woes of a person satisfied he’s the great man in each scenario, Drake’s newest has moments that shine. However even armed with grooves that soothe and do exactly what they’re designed to do, Drake’s subject material reveals nothing new. For an emotional cat who got here to energy partly due to his vulnerability, Actually, Nevermind performs it protected.
Let’s get this out of the best way: Reviewing an album meant for a particular house whereas not being in that house is bizarre. Actually, Nevermind is made for late nights the place the lyrics don’t matter as a result of the vibe is so simple. The second “Texts Go Inexperienced” begins, pictures of Miami nightlife instantly flood the mind. The truth that the tune is about slicing ties with a poisonous relationship is fully irrelevant when the lights go down and the sweat drips.
Like a mosquito, Drake’s music wants summer time climate to flourish and enter the bloodstream. That’s why he begins a dance album with “Falling Again,” a tragic story about giving his all to somebody who can’t give him even a 3rd of that.
Drake continues to be Drake, whatever the backdrop or style. His common suspects of producers present beats that wrap round each phrase, pause, croon, or temper Drake’s phrases create. OVO is a well-oiled machine at this level in Drake’s reign. It doesn’t matter what style he chooses to two-step, the album’s technical proficiency isn’t questioned. “Flight’s Booked” mashes gospel, home, EDM, and R&B seamlessly. Calling Actually, Nevermind an album stuffed with totally different variations of “Passionfruit” is reductive. Nonetheless, for these on the fence, that’s the perfect comparability.