November 29, 2022

One thing I by no means anticipated to see in Dodger Stadium throughout Elton John’s final stay live performance in North America — a peek at his stomach. However because of the poor match of the icon’s first wardrobe alternative (a sequined tuxedo jacket with tails, and pants that wanted adjusting each time he stood as much as acknowledge the group), at a sure level a little bit of pink pores and skin turned seen by a spot in his button-down shirt.

This tiny wardrobe malfunction was the one notable misstep throughout an intense marathon of music seeped in legacy, and it proved to be charming, in a manner — a second of human fallibility that felt all too relatable. Particularly as a result of this semi-final cease on the “Farewell Yellow Brick Street: The Last Tour” was in any other case transcendent, an invite into the fervour Elton John has for his work and a celebration of his a long time making a few of our most beloved songs.

Issues kicked off a bit later than anticipated (attendees had been warned that the present would begin promptly at 8:00 p.m. PT, although the present didn’t really start till nearer to eight:15). However when the second got here, the group was summoned to its toes by the pounding opening notes of “Bennie and the Jets” thundering from the piano at heart stage, in heart area.

Whereas the live performance was broadcast all over the world on Disney+, John performed primarily to the stay crowd, a packed stadium greater than prepared for the best hits together with a shocking variety of deeper cuts. The chances had been fairly good that you just heard your favourite Elton John tune over the course of the night — however there have been additionally just a few surprises combined into the set checklist.

The primary a number of songs stayed fairly near the variations we bear in mind from a long time of radio play; John devoted “Border Track” to the late Aretha Franklin, reflecting on her final stay efficiency at his 2017 AIDS Basis gala. “It’s a surreal expertise to be within the firm of genius,” the genius musician mentioned with no hint of irony.

“Tiny Dancer” remained transcendent as ever, although the live performance actually started to really feel particular with the remedy of “Rocket Man,” which John and the band prolonged for a number of minutes into a very otherworldly soundscape. And because the present continued, deeper cuts had been launched, making a richer journey into his huge catalog.

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