The brand new Starz collection The Serpent Queen brings trendy aptitude and an extraordinarily unreliable narrator to the well-worn style of interval dramas, as an older Catherine de’ Medici (Samantha Morton) tells a servant woman (Sennia Nanua) about how her youthful self (Liv Hill) got here to manage France for many years.
In Morton’s arms, Catherine is a captivating and sophisticated character, and when talking with the Oscar-nominated actress through Zoom, I actually wished to ask her about taking part in highly effective ladies, a current theme in her work. However I additionally admitted to her that I felt just a little foolish about it, as movie and tv presently function a ton of examples of highly effective, sturdy, and nuanced feminine characters.
Morton, it seems, agrees with that, but additionally says “there’s nonetheless not sufficient. I feel in tv, they’re actually embracing that, however in Hollywood, they haven’t embraced it but in the best way they need to. We’d like extra feminine writers and we’d like extra feminine tales. Individuals must know that ladies will go and watch this, as a result of you have got fifty-fifty [percent men and women] on the planet, you recognize, not everyone desires to observe the male view.”
As Morton continues, “We simply want a bit extra equality. In British cinema as nicely — they’re frightened of our tales. They permit us possibly one or two, each now and again. As a result of then we’d like man tales, guys successful wars, guys fixing the issue, guys making folks snort. It shouldn’t be a feminist difficulty. It ought to simply be equality. It’s, you recognize, half and half. It’s a no brainer.”
Morton’s place on that is hanging, particularly after listening to her break down how so a lot of her roles have featured highly effective ladies whose misdeeds come from relatable locations, together with child-killer Myra Hindley in the dead of night HBO biopic Longford or, extra not too long ago, the ruthless Alpha on The Strolling Useless. Under, transcribed and edited for readability, she explains to Consequence what made Catherine de’ Medici particularly so intriguing for her, and why she has no real interest in taking part in superheroes. (Her reply has quite a bit to do with who she thinks the actual heroes are on this world.)