The Pitch: It could have taken 36 years, however even pandemic delays couldn’t maintain Tom Cruise away from the hazard zone. When viewers are reunited with Captain Pete Mitchell in High Gun: Maverick, one of many army’s best-ever fighter pilots continues to be a Navy man, engaged on experimental plane after a long time of avoiding promotions that might pull him out of the cockpit.
However the brass, personified right here by a really cranky Jon Hamm, has a brand new task for the ace: Practice up a staff of hotshot youths for an extremely troublesome (dare we are saying… inconceivable) mission into enemy territory.
Whereas a dozen officers are chosen as candidates for the duty, probably the most outstanding are a really Maverick-esque pilot generally known as Hangman (Glen Powell) and Rooster (Miles Teller), the grown-up son of Maverick’s tragically deceased bestie Goose. Between the high-stakes task and Rooster’s resentment in the direction of Maverick, issues are intense, and that’s even earlier than the mission will get underway…
A Want for Pace: In a number of methods, High Gun: Maverick is the platonic very best of a movie sequel, always in dialogue with the unique undertaking, and dedicated to rising and increasing upon that supply materials. Structurally, it’s a clear and easy story, with an particularly robust third act that delivers properly on all of the set-up that comes earlier than… all alongside some actually thrilling motion set items.
Teller just lately informed Males’s Journal that all the stuntwork was actual: “There isn’t a inexperienced display in a High Gun film… Each shot, each stunt, was the results of the work, the true sweat, that all of us put into it.” Watching the movie, you imagine this. Whereas there have been, um, a few advances in particular results since 1986, each stunt in Maverick feels actual on the identical stage of the unique movie — a uncommon deal with nowadays, to be trustworthy, one which makes the aerial acrobatics on show much more gripping and thrilling.
Enjoying With the Boys (and Ladies): Whereas spiritually very in keeping with the unique movie, Maverick places some effort into acknowledging that issues have modified a bit because the Eighties. For one factor, an honest-to-God feminine pilot, name signal Phoenix (Monica Barbaro), holds her personal each in pick-up video games of seashore soccer and within the skies, and Maverick’s low-key romance with native bar proprietor Penny (Jennifer Connelly) is refreshingly age-appropriate and well-handled, story-wise.